May202013
jaimelannister:

She was mortified. It was not supposed to be this way. She had dreamed of her wedding a thousand times, and always she had pictured how her betrothed would stand behind her tall and strong, sweep the cloak of his protection over her shoulders, and tenderly kiss her cheek as he leaned forward to fasten the clasp.

jaimelannister:

She was mortified. It was not supposed to be this way. She had dreamed of her wedding a thousand times, and always she had pictured how her betrothed would stand behind her tall and strong, sweep the cloak of his protection over her shoulders, and tenderly kiss her cheek as he leaned forward to fasten the clasp.

(via thesunhasgonewibbly)

May172013

Sansa had the grace to blush. She blushed prettily. She did everything prettily.

Sansa had the grace to blush. She blushed prettily. She did everything prettily.

(Source: abigailxhobbs)

1PM

grimsperation:

Michele Caragher 

Embroidered details in Game of Thrones 

‘Michele Carragher is a London-based Hand Embroiderer and Illustrator who has been working in costume on film and television productions for over 15 years. She studied Fashion Design at The London College of Fashion, where the course incorporated design, pattern cutting, garment construction, embroidery, millinery and illustration. At the same time she attended a three year evening course in Saddlery at Cordwainers College learning skills in leatherwork.

After leaving college Michele worked in Textile Conservation, repairing and restoring historical textiles for private collectors and museums, specialising in hand embroidery. She then moved into a career in costume for film and television, initially working as a Costume Assistant/Maker on productions such as the BBC’s Our Mutual Friend, ITV’s David Copperfield and Mansfield Park. She soon gravitated towards the decoration and embellishment of costumes, using skills in hand embroidery and surface decoration, taking inspiration from the many historical textiles she had encountered working as a Textile Conservator. 

The first production that saw her undertake the role of a Principal Costume Embroiderer was for HBO’s 2005 Emmy Costume award-winning production of Elizabeth 1. Her most recent work has been on HBO’s 2012 Costume award-winning television series Game of Thrones, working on all three seasons.

As a Costume Embroiderer Michele specialises in hand embroidery and surface embellishment, using traditional hand embroidery techniques, smocking, beading and surface decoration. She works directly onto the completed garment or starts with motifs and textures on silk crepeline/organza, which are applied to the costume and then worked into once on the actual garment. She also works on existing machine embroidery designs that are not too dense, adding some hand stitching and beading to give a more authentic, hand-finished look.

Michele finds hand embroidery has more flexibility and diversity than that of embroidery created by machine, as there is a greater variety of thread choice and colours to use. It is also possible to work more easily on garments that are already constructed. However, machine embroidery in combination with hand work can be very useful when completing many repeats by creating light outlines or a less dense machine stitch, work can then be completed by hand and again can be carried out on a finished garment.

Michele is a highly creative Costume Embroiderer, producing original designs as well as working closely to a costume designer’s brief to create their desired look.’

Text and images from  http://www.michelecarragherembroidery.com

(via ninneve)

May152013

jaimelannister:

» TV | Game of Thrones

Oh, my sweet summer child,” Old Nan said quietly, “what do you know of fear? Fear is for the winter, my little lord, when the snows fall a hundred feet deep and the ice wind comes howling out of the north. Fear is for the long night, when the sun hides its face for years at a time, and little children are born and live and die all in darkness while the direwolves grow gaunt and hungry, and the white walkers move through the woods”  

(via songsofwolves)

May32013
April292013

“We should have stayed in that cave. I told you so.”“We’ll go back to the cave.”

“We should have stayed in that cave. I told you so.”
“We’ll go back to the cave.”

(Source: wyndamwesley, via freefolking)

April42013

theloupgaroux:

“A queen must listen to all,” she reminded him. “The highborn and the low, the strong and the weak, the noble and the venal. One voice may speak you false, but in many there is always truth to be found.” She had read that in a book.

(via ohmyloria)

April32013
the-bells-and-whistles:

Other great houses took lions and wolves for their sigils, and draw their power from the gold in their mountains or the cold of their winters. But mountains run dry, winter yields to spring, and the rose blooms once more. - Margaery Tyrell

the-bells-and-whistles:

Other great houses took lions and wolves for their sigils, and draw their power from the gold in their mountains or the cold of their winters. But mountains run dry, winter yields to spring, and the rose blooms once more. - Margaery Tyrell

(via mothersmilkinacup)

March272013

Lord Mace’s youngest child appears to be the culmination of her siblings’ best traits: she has the intelligence of her brother Willas, the observance of courtesies from Garlan, and the good looks of Loras. She has also inherited her father’s desire for advancement and the Queen of Thorn’s cunning - yet her ability to keep her true intentions hidden is completely her own. 

(Source: stark-queen, via ladytyrell)

March222013

i want to be the queen

i want to be the queen

(Source: sexuardomoved, via ilahey)

← Older entries Page 1 of 7